Jurin’s “chair” rocked when the war began. But not only his — it shook the entire generation. Between the hazy image of a future in which he sees no place for himself and the war-torn past that shines through the photographic negatives in his lab, Juri is left with nothing but eternal unrest…
• 15. dani hrvatskog filma, 2006. - najbolja kamera (Boris Poljak; i za Planktone Z. Mustaća) • 2. AsterFest, Strumica, Makedonija, 2006.• 8. međunarodni festival filmskih udruga, Matera, Italija, 2006.• Filmski programi, kino Tuškanac, 2015. – autorska večer• Art-kino Croatia, Rijeka, 2016. – "Filmska večer Damira Čučića"