In Pyramis, an object of concentrated composition is modeled using two different light sources and two colors. Blue light constructs the walls – the planes – while red light penetrates the blue surfaces and fills the interior of the architectural object. The film builds and deconstructs the composition of the pyramid, shaping light and color into spaces and volumes. From the abstract, it creates the real.
• 42. zagrebački salon – vizualne umjetnosti, HDLU, Zagreb, 2007.