A Lacanian interpretation of Kieślowski’s films Karla Lončar
Shoah – film testimony of a trauma Marija Sruk
Dogville in Brechtville Mario Vrbančić
More than transsexual identification: female subjectivity in westerns Saša Vojković
Gauthier’s theory of film essay Ivana Keser Battista
New music guidelines – Kubrick after 2001: A Space Odyssey (V) Eyes Wide Shut Irena Paulus
The Belgrade films by Oktavijan Miletić Dejan Kosanović
Film modernism in ideological and populist context Hrvoje Turković
Krešo Golik’s One Song a Day Takes Mischief Away – critical reception and quality Silvestar Mileta
Portrait of a Cinematographer (III) – Sławomir Idziak Krešimir Mikić
Life is sad and beautiful: Jim Jarmusch’s films as an example of American independent cinema Rajko Petković
Romantic and intellectual games by Éric Rohmer On the occasion of the retrospective in Film Programmes Marijan Krivak
Authenticity versus intellectualism New Brazilian cinema in Film Programmes Tomislav Kurelec
Zrinko Ogresta: “You have to have a broom in your head” Sanja Kovačević
18th Days of Croatian Film 2009 ***
Feature-length animated films in Zagreb for the second time 19th Animafest Jurica Starešinčić
Ten films in search of an author 56th Pula Film Festival Tomislav Šakić
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Branding the recession 11th Motovun Film Festival Igor Bezinović
Films, stars, music, parties 15th Sarajevo Film Festival Damir Radić
Theatres ***
Proud to be antipleks! Tomislav Šakić
Modest but wise Damir Radić
Four films, four women Tomislav Šakić
Rondo in space and the space of Rondo Bruno Kragić
Filmography of Zvonimir Berković ***
Chronicle / Filmographies / Bibliographies / English summaries / Contributors to this issue ***
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