Zagreb, 1943

EDITORIAL NOTE

EDITORIAL NOTE

# 31-32, Year 2002

NARRATION IN CINEMA

The difference between description and narration

# 37, Year 2004

FESTIVALS

Challenges of discipline

# 37, Year 2004

RADOVAN IVANČEVIĆ (1931-2004)

Conceptual Film According to Radovan Ivančević

# 39, Year 2004

RADOVAN IVANČEVIĆ (1931-2004)

RADOVAN IVANČEVIĆ’S FILMOGRAPHY

# 39, Year 2004

EDITORIAL

Ten years, 40 issues

# 40, Year 2004

FESTIVALS

Shadow films without Shadows

# 40, Year 2004

STUDIES AND RESEARCH

Fifties in cinema

# 41, Year 2005

ANIMATION

Could animated film be — documentary?

# 44, Year 2005

FESTIVALS

Meditative games

# 44, Year 2005

FILM THEORY

How to interpret "associative narration" (and is it really necessary)

# 45, Year 2006

Rijeka '97

The Cinema Out of Sight

# 12, Year 1997

ON ANIMATION

Paradigmatic Monograph (Clare Kitson and Tale of Tales by Yuri Norstein)

# 46, Year 2006

BRANKO BAUER (1921-2002)

Branko Bauer — A Carrier on the Turn of Stylistic Periods

# 30, Year 2002

CULTURAL POLICY

Does Croatia Need Feature Film?

# 30, Year 2002

DAYS OF CROATIAN CINEMA 2002

Film Animation: A Production Rise

# 30, Year 2002

CROATIAN CINEMA POLICY: A STATE OF ART AND PROBLEMS

Croatian Cinema — Research Report

# 27-28, Year 2001

DISCUSSING BOOKS

Educational Film — Its Scope and Distinction (dedicated to the Vjekoslav Majcen’s book Educational film)

# 27-28, Year 2001

PORTRAIT OF AN AUTHOR: BORIVOJ DOVNIKOVIĆ

AN INTERVIEW WITH BORIVOJ DOVNIKOVIĆ BORDO

# 26, Year 2001

STUDIES AND RESEARCH

Movement Illusion in Film — Myths and Explanations

# 25, Year 2001

Studies and researches

Metacommunicational Functions of Stylistic Deviations

# 24, Year 2000

ABOUT GENRE IN GENERAL

When Is a Film Generic? — A »Worldmaking« Theory of Genre

# 22, Year 2000

ABOUT GENRE IN GENERAL

FILM GENRE: BIBLIOGRAPHY

# 22, Year 2000

CONTEMPORARY FILM THEORY: THE COGNITIVIST APPROACH

FOREWORD

# 19-20, Year 1999

CONTEMPORARY FILM THEORY: THE COGNITIVIST APPROACH

WHAT IS THE BASIS FOR A COGNITIVE APPROACH TO FILM?

# 19-20, Year 1999

VIDEOART IN CROATIA

The Encyclopedia of Video Artists

# 18, Year 1999

VIDEOART IN CROATIA

Videography

# 18, Year 1999

VIDEOART IN CROATIA

Bibliography

# 18, Year 1999

DAYS OF CROATIAN FILM ’99

A Quieting of Expectations

# 17, Year 1999

CULTURAL POLICY

When is a Film »Croatian?«

# 16, Year 1999

CULTURAL POLICY

The Film Culture Center – a proposal

# 15, Year 1999

DAYS OF CROATIAN FILM ’97

Derogatory Reforms of the Days of Croatian Film

# 13, Year 1998

CULTURALPOLITICS:THE CINEMA LAW DRAFT — COMMENTS, ANALYSIS, ALTERNATIVES

AN ANALYSIS OF THE CINEMA LAW DRAFT

# 13, Year 1998

FILM GENOLOGY

Film types

# 47, Year 2006

FILM SOUND AND MUSIC

MYTH OF IMPERCEPTIBILITY OF FILM MUSIC

# 50, Year 2007

ANTE PETERLIĆ (1936-2007)

Peterlić Paradigm

# 51, Year 2007

STUDIES

Evaluative change: contemporary vs. present day reception of the croatian feature film "Concert"

# 01/02, Year 1995

IN HONOR OF ANTE PETERLIĆ (his 60th birthday)

Games with partiality

# 08, Year 1996

ANIMATION STUDIES

Is animated film - a film at all?

# 55, Year 2008

FILM THEORY: FILM AND MEDIUM

# 56, Year 2008

FROM THE HISTORY OD CROATIAN CINEMA

Film modernism in ideological and populist context

# 59, Year 2009

POETIC DISCOURSE IN FILM

Introduction

# 60, Year 2010

POETIC DISCOURSE IN FILM

The concept of poetic discourse

# 60, Year 2010

EDITORIAL

# 67, Year 2011

PROBLEM OF NARRATION IN FILM

Does a narrative film need a narrator?

# 67, Year 2011

IVO ŠKRABALO (1934–2011)

Ivo Škrabalo's bibliography

# 68, Year 2011

FILM STUDIES

Film as a sign and partner to modernisation

# 68, Year 2011

# 75, Year 2013

# 75, Year 2013

# 84, Year 2015

# 90-91, Year 2017

# 97, Year 2019

# 100, Year 2019

# 102-103, Year 2020