The difference between description and narration
Challenges of discipline
Conceptual Film According to Radovan Ivančević
RADOVAN IVANČEVIĆ’S FILMOGRAPHY
Ten years, 40 issues
Shadow films without Shadows
Fifties in cinema
Could animated film be — documentary?
How to interpret "associative narration" (and is it really necessary)
The Cinema Out of Sight
Paradigmatic Monograph (Clare Kitson and Tale of Tales by Yuri Norstein)
Branko Bauer — A Carrier on the Turn of Stylistic Periods
Does Croatia Need Feature Film?
Film Animation: A Production Rise
Croatian Cinema — Research Report
Educational Film — Its Scope and Distinction
(dedicated to the Vjekoslav Majcen’s book Educational film)
AN INTERVIEW WITH BORIVOJ DOVNIKOVIĆ BORDO
Movement Illusion in Film — Myths and Explanations
Metacommunicational Functions of Stylistic Deviations
When Is a Film Generic? — A »Worldmaking« Theory of Genre
FILM GENRE: BIBLIOGRAPHY
WHAT IS THE BASIS FOR A COGNITIVE APPROACH TO FILM?
The Encyclopedia of Video Artists
A Quieting of Expectations
When is a Film »Croatian?«
The Film Culture Center – a proposal
Derogatory Reforms of the Days of Croatian Film
AN ANALYSIS OF THE CINEMA LAW DRAFT
MYTH OF IMPERCEPTIBILITY OF FILM MUSIC
Evaluative change: contemporary vs. present day reception of the croatian feature film "Concert"
Games with partiality
Is animated film - a film at all?
Film modernism in ideological and populist context
The concept of poetic discourse
Does a narrative film need a narrator?
Ivo Škrabalo's bibliography
Film as a sign and partner to modernisation