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Irena Paulus

(Zagreb, 1970),

INTERPRETATIONS

Memories of Africa

# 38, Year 2004

STUDIES AND RESEARCHES — FROM THE HISTORY OF CROATIAN FILM

The concept of music in Tanhofer’s H-8...

# 44, Year 2005

STUDIES AND RESEARCH

Three Colors — Blue

# 13, Year 1998

INTERPRETATIONS

Divine decadence — Bob Fosse’s Cabaret

# 45, Year 2006

STUDIES

Music and Sound in Jacques Tati Films

# 46, Year 2006

CHRONICLE’S INTERVIEW

Film Music — A Theme with a Variation
An Interview with Thomas Burić

# 30, Year 2002

FESTIVALS/CONFERENCE

Cliché or Emerging Language?

# 27-28, Year 2001

STUDIES AND RESEARCH

Mostly ’Drawn’ Music

# 26, Year 2001

FILM MUSIC

Miljenko Prohaska: With Music from Experimental to Animated Film

# 25, Year 2001

FILM MUSIC

I COMPOSE MY MUSIC, THE WAY I FEEL IT — AN INTERVIEW WITH MILJENKO PROHASKA

# 25, Year 2001

FILM MUSIC

MILJENKO PROHASKA’S FILMOGRAPHY

# 25, Year 2001

FILM MUSIC

Nikica Kalogjera: from Musicals to Film Scores

# 24, Year 2000

FILM MUSIC

MAD ABOUT MUSIC — INTERVIEW WITH COMPOSER ALFI KABILJO

# 24, Year 2000

STUDIES AND RESEARCH

A musician at heart: Arsen Dedić and his film music

# 22, Year 2000

FILM OF THE NINETIES

Film Music in the Nineties: The Song and the Score — A Battle for Supremacy?

# 21, Year 2000

STUDIES AND RESEARCH

Williams Versus Wagner or: An Attempt and Connecting Musical Epics

# 21, Year 2000

STUDIES AND RESEARCH

Nikica Kalogjera: Themes, Evolution and Constants of an Film Composer

# 18, Year 1999

STUDIES AND RESEARCH

The Film Music of Ivo Tijardović

# 17, Year 1999

STUDIES AND RESEARCH

The Film Music of Ivan Brkanović

# 16, Year 1999

PORTRAIT

A Bio-Filmographical Interview with Film-Music Composer Anđelko Klobučar

# 15, Year 1999

PORTRAIT

An Organist in the Film Studio – Anđelko Klobučar and his Film Music

# 15, Year 1999

STUDIES AND RESEARCH

Fran Lhotka — The Question of Folk Music in Film

# 11, Year 1997

STUDIES AND RESEARCH

Vladimir Kraus Rajterić — a film music composer

# 10, Year 1997

FILM SOUND AND MUSIC

BETWEEN REAL AND UNREAL: CARMEN BY CARLOS SAURA

# 50, Year 2007

STUDIES

MUSIC IN CLASSICAL HOLLYWOOD FILM I. (BASIC TYPES AND FUNCTIONS - CASABLANCA CASE)

# 03/04, Year 1995

BIOFILMOGRAPHICAL INTERVIEW

Tea Brunšmid

# 06, Year 1996

RESEARCH AND STUDIES

Music and Disney's Fantasia

# 06, Year 1996

RESEARCH AND STUDIES

Miroslav Belamarić as a film music composer

# 07, Year 1996

RESEARCH AND STUDIES

Milo Cipra - his film music

# 08, Year 1996

FILM AND COMPARATIVE STUDIES

Studying Croatian film music

# 53, Year 2008

STUDIES

New music guidelines. Kubrick after 2001: A Space Odyssey – A Clockwork Orange

# 54, Year 2008

STUDIES

New musical guideliness: Kubrick after 2001: A Space Odyssey (II) - Barry Lyndon

# 55, Year 2008

STUDIES

# 56, Year 2008

New music guidelines – Kubrick after 2001 A Space Odyssey (IV): Full Metal Jacket

# 57-58, Year 2009

FILM STUDIES

New music guidelines – Kubrick after 2001: A Space Odyssey (V)

# 59, Year 2009

ANTE BABAJA (1927-2010) (1)

Symbolism of sound in Ante Babaja’s feature-length films

# 62, Year 2010

FILM STUDIES

Silence as dimension of time in film music

# 64, Year 2010

# 73-74, Year 2013

# 86-87, Year 2016

# 88, Year 2017

# 100, Year 2019

# 101, Year 2020

# 102-103, Year 2020

# 102-103, Year 2020

# 105, Year 2021

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