CHRONICLE’S INTERVIEW

Yuri Norstein: Animation Is as Genuine as a Dream, An Interview

Midhat Ajanović

CHRONICLE'S CHRONICLE

Chronicle: November 2001 — January 2002

Daniel Rafaelić

FILM REPERTOIRE

Repertoire

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STUDIES AND RESEARCH

The Game without the Object: Acting in Different Media and Intermediary Reflections on the Art of Acting

Nataša Govedić

Cinematographers Starting Point: Lighting

Domagoj Lozina

Ellipses and their Rhetorical Quality in the film Concert by Branko Belan

Vladimir Gojun

BOOK REVIEWS

Critical Narratology at Work
(Sasha Vojkovic, 2001, Subjectivity in the New Hollywood Cinema, Amsterdam: ASCA press)
Nikica Gilić

Krešimir Mikić: Film in Teaching Media Culture (2001, Zagreb: Educa)

Bruno Kragić

Genre

New Horror Film

Kristijan Milić

Post-western

Tomislav Čegir

Cinema policy: Marketing, production menagement

Marketing in Film Distribution

Damir Primorac

Film Production Menagement Study at the Zagreb Academy of Drama Arts (Concept and Curriculum)

Vedran Mihletić

Festivals/special programs

Intimacy and creation against tradition and imitation
33rd revue of Croatian Film and Video, Daruvar, November 23-25, 2001
Diana Nenadić

International Documentary Filmfestival, Amsterdam 2001

Rada Šešić

Interpretations, contests

Tarr’s Damnations
A Film World of Hungarian Director Béla Tarr
Diana Nenadić

Film, reviews, context: Alone by Lucas Nola

Tomislav Brlek

Pornophiles Sexuality Attacked by Feminist Criticism

Damir Radić

On Cabbages and Kings — Musings at the Lord of the Rings

Bruno Kragić

A Piece of Soul — R. W. Fassbinder
(After the viewing of a selection of his films in Zagreb — February)
Marijan Krivak

Kenneth Anger’s films

Elvis Lenić

Contemporary national cinemas

Contemporary Japan Film

Dragan Rubeša

Shinji Aoyama: ’A Jap Who Loves John Ford’

Dragan Rubeša

Majcen's inheritance

Croatian Nonprofessional Film (1928-1998)

Vjekoslav Majcen

Zvonimir Rogoz’s Filmography

Vjekoslav Majcen

Ljubomir Maraković’s Bibliography

Vjekoslav Majcen