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1999.
19-20

Chronicle's Bibliotheque

THE BREAKUP OF YUGOSLAVIA: CINEMATIC REFLECTIONS

Daniel J. Goulding

CHRONICLE'S CHRONICLE

A chronicle July/November 1999

Vjekoslav Majcen

FROM THE HISTORY OF IDEAS: THE ABC FESTIVAL
DOCUMENTS ON THE TRANSITION OF THE CROATIAN FILM FESTIVAL

Ivo Škrabalo

FILM REPERTOIRE

CINEMA REPERTOIRE

Igor Tomljanović

VIDEO PREMIERES

Igor Tomljanović

FESTIVALS AND EVENTS

THE LAST PICTURE SHOW — PULA 1999

Petar Krelja

THE FIRST MOTOVUN FILM FESTIVAL

Sanja Muzaferija

IN SEARCH OF HIS OWN LIGHT: TOMISLAV PINTER

Ivo Škrabalo

TOMISLAV PINTER’S FILMOGRAPHY

Boris Vidović

OPEN, PERSONAL, RADICAL, SUBVERSIVE, SPLIT 1999

Diana Nenadić

FROM KUBRICK TOWARD FINCHER — VENICE 1999

Vladimir C. Sever

CURRENT TRENDS

»THE LEFT HAND-HELD CAMERA«

Dragan Rubeša

BOOKS

HRVOJE TURKOVIĆ: CONTEMPORARY FILM

Damir Radić

CONTEMPORARY FILM THEORY: THE COGNITIVIST APPROACH

FOREWORD

Hrvoje Turković

A CASE FOR COGNITIVISM

David Bordwell

THE DEAD-END METAPHOR (OR, WHY CINEMA IS NOT A LANGUAGE)

Boris Vidović

FILM, PERCEPTION AND COGNITIVE PSYCHOLOGY

Virginia Brooks

AFFECT, COGNITION AND THE POWER OF MOVIES

Carl Plantiga

WHAT IS THE BASIS FOR A COGNITIVE APPROACH TO FILM?

Hrvoje Turković

IN FOCUS: DOMESTIC PREMIERES

RED DUST — THE REFLECTION OF A DECADE

Diana Nenadić

Studies and research: movie and literature

BODIES AND CORPORA: THE VISUAL JANE AUSTEN

Tatjana Jukić

THE CINEMATIC VISION OF TIN UJEVIĆ

Vjekoslav Majcen

FRENCH FILM AND LITERARY TRADITION

Bruno Kragić

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