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2012.
70

FILM AND OTHER MEDIA

Pier Paolo Pasolini: An uncomfortable intellectual in fiction and in film

Pasolini is a poet who decided to describe the reality with a film camera but at the same time not to give up on writing and his own literary settings in this new artistic expression. His films will never fully satisfy the critics from either of the two artistic fields, but they will testify “their reality”, transmitting Pasolini’s viewpoint in both literary and cinematic mediums. In the light of Machiedo’s definition of Pasolini as an uncomfortable intellectual, the text presents the elements of this uncomfortableness (provocativeness, blasphemousness), as well as other characteristic that Pasolini’s films and literary works have in common.



Valter Milovan

Impure cinema: Intermedial strategies and painting processes in film
Film modernism and multimediality of Radić's Timon
Crystal Kidnappers or A Crack in Lost Time - Last full-length project by Dušan Vukotić
Cinematic language in the exhibitions by Peter Greenaway
Coen brothers' neo-noir: The Man Who Wasn't There and James M. Cain's novel The Postman Always Rings Twice

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