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2002.
29

STUDIES AND RESEARCH

Cinematographers Starting Point: Lighting

Lighting is the most important element in defining visual identity of particular movie, and it is cinematographers’ greatest obsession. The paper taxonomically outlines parameters for cinematographer’s stylistic decisions.

ANALITICAL CONTENTS: 1. Introduction; 2. Basic stylistic approaches to lighting; 2.1. Naturalist approach or ultra-realism; 2.2. Realism; 2.3. Stylizations; 3. ’Hard’ andsoft’ lighting; 4. Light-shadow; 5. References-models; 6. Art design, costume design and sources of lighting within the shot; 7. Continuity; 8. Tools; 8.1. Lens; 8.2. Exposition; 8.3. Camera movements; 8.4. Composition; 9. Conclusion.

Paper is accompanied by the selected filmography of some exquisite cinematographers.



Domagoj Lozina

The Game without the Object: Acting in Different Media and Intermediary Reflections on the Art of Acting
Ellipses and their Rhetorical Quality in the film Concert by Branko Belan

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